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But whereas mainstream nation has leaned into booze, vehicles and arena-scale bombast, Musgraves prefers delicacy, element and wryly upending small-town expectations. The title music of her second album, “Pageant Material,” defined: “It ain’t that I don’t care about world peace/But I don’t see how I can repair it in a swimsuit on a stage.”
Her music prizes understatement, bypassing customary Nashville sounds and infrequently reminiscent of Seventies Laurel Canyon folk-pop. Like that period’s songwriters and producers, Musgraves is steeped in folks music and seemingly diaristic, but additionally unassumingly savvy about pop buildings and studio potentialities.
On “Star-Crossed,” Musgraves sang about marital pressures, skilled jealousy, dealing with reminiscences and shifting on. The music pushed nicely past nation, incorporating surreal electronics and sultry R&B. “Deeper Well” is leaner and fewer determinedly eclectic. Written and produced with Musgraves’s longtime collaborators, Daniel Tashian and Ian Fitchuk, the album spotlights acoustic guitars and natural, seemingly clear preparations; each instrument sparkles. While the album was recorded in New York City (at Electric Lady Studios), it’s a world away from city hubbub; the music at all times feels pastoral.
Gratitude is on the core of the brand new songs. Musgraves could also be contented, however she’s not complacent. She finds omens in nature in “Cardinal,” the album’s opener, which harks again to the modal folk-rock of the Byrds, full with 12-string guitar. Seeing a cardinal after the demise of a buddy, she asks, “Are you bringing me a message from the opposite facet?”
In “Dinner With Friends,” she lists small issues that please her — “the best way that the solar on my flooring makes a sample of sunshine” — and vegetation a political barb, appreciating, “My house state of Texas/The sky there, the horses and canines,” earlier than including, “But none of their legal guidelines.” And in “The Architect,” a crystalline string-band waltz, she marvels at each pure phenomena — an apple, the Grand Canyon — and the miracle of discovering a brand new love, making her ponder the existence of a God: “This life that we make, is it random or destiny?” she asks. “Is there an architect?”
