Back in 2017, Deadline spoke to Law about “The Young Pope,” revealing he was immediately satisfied of the mission upon studying of Sorrentino’s involvement and studying a quick two-page therapy. Law then talked to the filmmaker about it, solidifying his dedication quickly after. And by the point the scripts have been written, it grew to become evident to Law that Pius XIII had all of the traits of a compelling character:
“As you rightly identified, what grew to become obvious was this nice character. Lenny unfolded as this extraordinary, contradictory, deeply knotted and complicated human, with an unimaginable backstory, but in addition a gift life that required all kinds of understanding. Being part of the evolution of it was really probably the greatest work experiences I’ve had.”
It’s robust to encapsulate that journey in a number of sentences, but it surely was clear that “The Young Pope” had so much lined up for its lead because the begin. That evolution carried over to “The New Pope” as properly.