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Clueless, Easy A, and Romeo + Juliet: Best Movie Modernizations of Classic Literature

Clueless, Easy A, and Romeo + Juliet: Best Movie Modernizations of Classic Literature


While it would lack the drama and tragedy of Stephen Frears’ 1988 interval adaptation with Michelle Pfeiffer, Glenn Close, and John Malkovich, Cruel Intentions is slightly extra enjoyable and trashy in the absolute best approach. It’s shiny want achievement with a solid of their prime, which is able to most likely be finest remembered for a really specific little bit of shared spit throughout a kiss between Gellar and Selma Blair because the naive Cecile.

Easy A (2010)

The teen comedy that made Emma Stone a family title, Easy A is a good-natured and mirthful comedy in regards to the foolish intercourse lives of youngsters. In different phrases, it ought to have nearly nothing to do with Nathaniel Hawthorne’s The Scarlet Letter, an 1850 novel in regards to the tragic repression of 1600s Puritans. Nonetheless, that is nonetheless a greater movie adaptation than the “critical” one starring Demi Moore from the ‘90s. Better nonetheless, Easy A has the chutzpah to name that truth out!

It succeeds at doing that, and a lot else, due to Stone’s irresistible star persona as Olive, a contented go-lucky if barely insecure woman residing an unremarkable life at her highschool. However, when she spreads an unfaithful rumor about dropping her virginity to a school man, issues rapidly spiral uncontrolled. Faster than you’ll be able to say “Jesus freaks,” her college’s younger Christian group needs to model her because the native harlot—which she accepts with most swagger.

It’s light-weight teen comedy tropes about self-discovery that’s elevated significantly by an excellent supporting solid that features Amanda Bynes, Lisa Kudrow, Thomas Haden Church, Malcolm McDowell, Patricia Clarkson, and the indispensable Stanley Tucci. Mostly although, that is the Emma Stone present and she or he dazzles in that highlight by dropping quips like they’re payloads of charisma, singing oldies as if she had been in a John Hughes film, and in any other case saying herself as a comedy drive to be reckoned with. The film’s standing on our listing of the best comedies of the last 15 years confirms she was heard loud and clear.

Fire Island (2022)

The tattoo on the shoulder of Joel Kim Booster, the writer-producer-star of Fire Island, tells you all the pieces it’s essential know. It reads “Of rears and vices I noticed sufficient,” a citation from Jane Austen’s Mansfield Park wherein a snob boasts about her top-rank connections within the British Navy and, in line with some, makes the one anal intercourse gag within the Austen canon. That’s Fire Island throughout: humorous, filthy, and really well-read.

Directed by Andrew Ahn, this homosexual male rom-com borrows the bones, coronary heart, and razor tongue of Austen’s Pride and Prejudice to make a movie that appears like no P&P adaptation you’ve ever seen. Instead of a rustic village, it’s set on iconic LGBTQ+ trip spot Fire Island. Instead of 5 single Bennet sisters coming into the orbit of their golden-hearted wealthy neighbor, his imply sisters, and his even richer, standoffish pal, it’s about 5 unattached homosexual male friends coming into… properly, all that and extra.



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