On one among these nights, he connects with Johnson’s character, a single mother named Domino, and her teenage daughter Lola (Vanessa Burghardt), who’s autistic. The indisputable fact that he’s drawn to them and insistent that they’ve a very good time looks like a pure expression of who this man is: a big-hearted goofball, candy and upbeat and—above all else—desirous to chuckle at himself to make sure everybody else is laughing. An opening flashback to a decade earlier, when he was a 12-year-old visitor at a party like this, reveals that Andrew has all the time been a heart-on-his-sleeve form of man. He will not be probably the most sophisticated character right here, however the consistency of his simplicity permits others to evolve who aren’t fairly so positive of themselves. Raiff is likable and sometimes hilarious, however he’s additionally in each single scene, so one might think about that his idiosyncratic humorousness may ultimately change into grating to some viewers.
Andrew’s attraction to Domino is clear, despite the fact that she informs him she has a fiancé, a lawyer who occurs to be out of city lots for work. (A stoic and stiff Raúl Castillo drops in sporadically to say his territoriality over these two ladies, and whereas his outsider nature is the purpose, it’s additionally a distraction. He simply doesn’t make sense on this world.) But it’s his friendship with Lola that’s the true shock—not that it exists, however fairly the way it blossoms. It would have been really easy and lazy to make this relationship play out in a feel-good, mawkish manner. Lola is a number of years older than the opposite youngsters in her grade, and she or he’s the frequent goal of bullying. But fairly than swoop in as her savior, Andrew reveals real curiosity in her as a pal; Domino asks if he’ll babysit Lola some nights, which he gladly does, however he treats her as an equal and takes an curiosity in her hobbies. Burghardt reveals nice poise and comedian timing in her first movie function, and is a pleasure to look at.